The crooked spine

Saturday, May 7, 2011

"Locomotive Breath"

In the shuffling madness
Of the locomotive breath,...Ready for locomotive breath...

Runs the all-time loser,
Headlong to his death.
He feels the piston scraping --
Steam breaking on his brow --
Thank God, he stole the handle and
The train won't stop going --
No way to slow down.
He sees his children jumping off
At the stations -- one by one.
His woman and his best friend --
In bed and having fun.
He's crawling down the corridor
On his hands and knees --
Old Charlie stole the handle and
The train won't stop going --
No way to slow down.
He hears the silence howling --
Catches angels as they fall.
And the all-time winner
Has got him by the balls.
He picks up Gideon's Bible --
Open at page one --
God stole the handle and
The train won't stop going --
No way to slow down.

1 comment:

YongyuthKathoeyMay 26, 2011 at 8:20 PM
The recent beating of a transgender individual in the media highlights the problems facing transgender individuals. The world might be educated by studying how Thailand views and treats transgender individuals. In Thai we call them Katoeys which is translated into Ladyboy in English. I have pioneered the recognition of Ladyboy rights at Uttaradit University in Thailand and look forward to educating people about Thai ladyboys and networking with international ladyboys. As Dean of the Humanities and Social Sciences Faculty at Uttaradit University I am in a unique position to practice what I preach. I have been a leader in recruiting Ladyboys into my faculty where I have learned about their aspirations and their fears. They are very beautiful, just like real women, and Thailand consistently produces the winner of the international Ladyboy competitions throughout the world. I hope this blog helps to dispel some myths about Ladyboys and helps to create an international dialogue.
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Lady Charlott and Sir Lancelot

On either side the river lie Long fields of barley and of rye, That clothe the world and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott. Willows whiten, aspens quiver, Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. By the margin, willow-veil'd Slide the heavy barges trail'd By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers "'Tis the fairy Lady of Shalott". PART II There she weaves by night and day A magic web with colours gay. She has heard a whisper say, A curse is on her if she stay To look down to Camelot. She knows not what the 'curse' may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott. And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear. There she sees the highway near Winding down to Camelot: There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; "I am half-sick of shadows," said The Lady of Shalott. PART III A bow-shot from her bower-eaves, He rode between the barley sheaves, The sun came dazzling thro' the leaves, And flamed upon the brazen greaves Of bold Sir Lancelot. A redcross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott. The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle bells rang merrily As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott. All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott. His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot. From the bank and from the river He flashed into the crystal mirror, "Tirra lirra," by the river Sang Sir Lancelot. She left the web, she left the loom; She made three paces thro' the room, She saw the water-lily [16] bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; "The curse is come Lancelot said to...link...ีupon me," cried ...The Lady of Chalott..

Lady Charlott

First published in 1833. This poem was composed in its first form as early as May, 1832 or 1833, as we learn from Fitzgerald's note--of the exact year he was not certain ('Life of Tennyson', i., 147). The evolution of the poem is an interesting study. How greatly it was altered in the second edition of 1842 will be evident from the collation which follows. The text of 1842 became the permanent text, and in this no subsequent material alterations were made. The poem is more purely fanciful than Tennyson perhaps was willing to own; certainly his explanation of the allegory, as he gave it to Canon Ainger, is not very intelligible: "The new-born love for something, for some one in the wide world from which she has been so long excluded, takes her out of the region of shadows into that of realities". Poe's commentary is most to the point: "Why do some persons fatigue themselves in endeavours to unravel such phantasy pieces as the 'Lady of Shallot'? As well unweave the ventum textilem".--'Democratic Review', Dec., 1844, quoted by Mr. Herne Shepherd. Mr. Palgrave says (selection from the 'Lyric Poems of Tennyson', p. 257) the poem was suggested by an Italian romance upon the Donna di Scalotta. On what authority this is said I do not know, nor can I identify the novel. In Novella, lxxxi., a collection of novels printed at Milan in 1804, there is one which tells but very briefly the story of Elaine's love and death, "Qui conta come la Damigella di scalot mori per amore di Lancealotto di Lac," and as in this novel Camelot is placed near the sea, this may be the novel referred to. In any case the poem is a fanciful and possibly an allegorical variant of the story of Elaine, Shalott being a form, through the French, of Astolat. PART I On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; And up and down the people go, Gazing where the lilies blow Round an island there below, The island of Shalott. [1] Willows whiten, aspens quiver, [2] Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers, Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. By the margin, willow-veil'd Slide the heavy barges trail'd By slow horses; and unhail'd

Saturday, May 7, 2011

1 comment:

..sovereignity was threatening...